“Once you have broken down the rules, literally anything is possible.’”

—
In the business of magazine design, few names resonate as profoundly as Neville Brody. And, to this day, he lives by those words.

Renowned for his groundbreaking work and commitment to pushing design boundaries at magazines like The Face, Arena, Per Lui, and others, Brody is a true auteur in the world of design. We talked to him at the launch of his spectacular new monograph, The Graphic Language of Neville Brody 3.

Nurtured on 1970s British punk music, which rejected anything that appeared self-indulgent or overwrought, Brody found the perfect launch pad at The Face, the London-based music, fashion, and culture monthly, created by editor Nick Logan in 1980.

The Face inspired an array of fellow magazine rule-breakers, including the late Tibor Kalman, David Carson, and Fabien Baron, who calls Brody’s work “powerful, aggressive, and simple.”

Since then, Brody's journey in graphic design has been marked by a relentless, almost unforgiving pursuit of innovation. His magazine design challenged conventional norms and redefined visual storytelling. Brody’s design approach is characterized by a rejection of conventional grid systems and editorial hierarchies, and a willingness to break free from established design rules.

And he thinks magazines today are missing a giant opportunity:

“That’s the beauty of print, that you can’t achieve in the same way digitally. Digital is so commoditized. We’re not expressing content anymore. We’re just delivering it.

Neville Brody's legacy in magazine design lies in his fearless approach to challenging the status quo and his ability to capture the zeitgeist of his time. By pushing the boundaries of traditional graphic design, he not only influenced the look and feel of magazines but also inspired a generation of designers to embrace innovation, experimentation, and a spirit of creative rebellion. Brody's work continues to be celebrated for its enduring impact on the evolution of graphic design and its role in shaping the visual language of contemporary media.

Magazines: The original influencers.

Print Is Dead. (Long Live Print!) is a podcast about magazines and the people who made — and make them. In this series, we talk to the legendary designers, editors, writers, publishers, photographers, illustrators, photo editors, and more, who conceived and produced the publications that have dominated our conversations and covered our desks and coffee tables for decades. And many who still do.

We go deep — beyond the heds & deks, captions, sidebars, pull quotes, and factoids — into the lives and careers of this astonishingly talented group of creators.

If you’re in the magazine business — if you’re in ANY business focused on content creation — this podcast is for you. We hope you’ll join us.

HOSTS

Patrick Mitchell, creator & host, is the principal and creative director at MO.D, an award-winning content design and strategy practice offering bespoke design, consulting, and turnkey solutions for media brands. He is the former creative director at Fast Company (one of the most successful media launches in history), O, The Oprah Magazine, Nylon, and Inc. Winner of two National Magazine Awards as well as SPD’s Magazine of the Year.

Debra Bishop, contributing cohost, is the cofounding art director and visual lead of The New York Times for Kids. She worked with the legendary Fred Woodward at Rolling Stone, designing special issues. She has since lead several redesigns including, More, Whole Living, and Parents. In her 12 years at MSLO, Bishop led teams that launched Martha by Mail, Martha Stewart Baby, Martha Stewart Kids, and Blueprint. Martha Stewart Kids was awarded the prestigous ASME National Magazine Award for Design. Kids and Blueprint were both awarded Magazine of the Year by the Society of Publication Designers (SPD).

Print Is Dead. (Long Live Print!)

Episode 32: Neville Brody (Designer: The Face, Arena, Arena Homme +, more)

Magazines: The original influencers.

SPONSORS

THE SOCIETY OF PUBLICATION DESIGNERS INC.